Essays on Brishty Alam, Judith Eisler, Philipp Fleischmann, Parastu Gharabhagi, James Lewis, Rini Mitra, Lukas Posch, Anna Schachinger, Laurence Sturla, and Emily Wardill, Lebt und arbeitet in Wien (Kunsthalle Wien)

Meeting Points: The Biennial as Rendezvous, Innsbruck International 2026: RENDEZ-VOUS (Innsbruck International)

One Door Leads to Another: Perspectives on Jonida Laçi, Kunsthalle Wien Preis 2025 (Kunsthalle Wien)

Rem(a)inders, Donal Moloney: Wait Here (Cork, self-published)

Richard Proffitt: The Life of Stuff, Richard Proffitt: Loner (Dublin, The Slow 250)

Pressing Send: Distribution and Curation in Irish New Media Art, Irish New Media Art (London: Anthem Press)

Maria Anwander: another way in, Maria Anwander (Innsbruck: Klocker Stiftung)

1,2,3,4: Dance in Contemporary Artists’ Films (Cork: The Glucksman)

Brendan Earley: Messages from the Maze, One Here Now: The Brian O’Doherty / Patrick Ireland Project (Dublin: Sirius Arts Centre / Paper Visual Art)

Outposts: Global Borders and National Boundaries (Cork: The Glucksman)

Return of the Prodigal Daughter, The Last Known Pose: Essays and Reflections on the Work of Qasim Riza Shaheen (Manchester: Cornerhouse)

Now Wakes the Sea (Cork: The Glucksman)

Enter Stage Left (Cork: The Glucksman)

Gut Instinct: Art, Food and Feeling (Cork: The Glucksman)

Everything Must Go: Art and the Market (Cork: The Glucksman)

I Went to the Woods: The Artist as Wanderer (Cork: The Glucksman)

Co-editor, Boolean Expressions: Contemporary Art and Mathematical Data (Cork: The Glucksman)

Alan Phelan: One of Our Kind, High Treason: Roger Casement (Dublin: Hugh Lane Gallery)

Stitch in Time: The Fabric of Contemporary Life (Cork: The Glucksman)

Selective Memory: Artists in the Archive (Cork: The Glucksman)

Middle, End, Beginning: Narrative and the Artist’s Film, Wade In (St. John’s: Eastern Edge Gallery)

An Opening, Caoimhe Kilfeather: This Attentive Place (Dublin: Temple Bar Gallery)

Fieldworks: Animal Habitats in Contemporary Art (Cork: The Glucksman)

Passports: Globalisation in Contemporary European Video (Cork: The Glucksman)

Modern Families: Relatives and Relationships in Art (Cork: The Glucksman)

Island: New Art from Ireland (Modena: Galleria Civica di Modena)

Going Backwards, Motion Capture: Drawing and the Moving Image (Cork: The Glucksman)

Game On / Re-Newing Media Art (Cork: The Glucksman)

Essays on Declan Clarke, Kevin Cosgrove, Brendan Earley, Elodie Pong, David Sherry, and group show ‘Going Where The Weather Suits My Clothes… a fall of light on fabric’, Mother’s Annual 2011 (Dublin: Mother’s Tankstation)

Second Thoughts: On Photography, Performance and the Stages In-Between,The Second Act: A Festival on Photography Goes Live (Amsterdam: Time to Meet VZW)

Stephen Ahern: Close to Home (Dublin: Gallery of Photography)

Co-editor,45 78 33, (Cork: The Glucksman)

Practicing Everyday Life: The Use of Anecdote in the work of Locky Morris, Locky Morris: This Then (Belfast: Golden Thread Gallery)

Artist Interviews: Axel Braun, Tomas Boiy, Goran Galić & Gian-Reto Gredig, Kathrin Klingner, G. Leddington, Ryan Rivadeneyra, Ohad Ben Shimon, Matthias Wollgast, Sugary Photographs with Tricks, Poses and Effects: A Festival On Photography (Antwerp: Time to Meet VZW)

Essays on Brendan Earley, Ciaran Murphy, Garrett Phelan, and Michael Snow, Mother’s Annual 2009 (Dublin: Mother’s Tankstation)

Still and Moving Pictures,The Intertwining Line: Drawing as a Subversive Art  (Manchester: Cornerhouse)

Masaki Fujihata, Masaki Fujihata: The Conquest of Imperfection (Manchester: Cornerhouse)

Some Frames, Andrew Bracey: Freienlage (Manchester: Castlefield Gallery)